“Beauty will save the world,” wrote Dostoyevsky, which is the claim that Camille Thomas makes throughout this record. Not beauty for the sake of hedonism, but a beauty that believes there is a burning line to be drawn between pain and hope. Camille Thomas’ new album illustrates this, structured like an archipelago surrounding the Cello Concerto composed by Fazil Say. Camille Thomas gave its premiere in 2018, and her album spanning the work of ten composers, allows us to travel the path from pain to hope. On the threshold, we meet three pieces: the heart-rending melody of the Kaddisch by Ravel, a sublimation of the Jewish prayer for the dead; the lamentation from Purcell’s Dido, quasi a lullaby from the queen who awaits her death, in a nakedness without pathos; and between those two works, the tender Dance of the Blessed Spirits from Gluck’s Orfeo, in which we hear the first signals of hope. The album is available today for pre-order and is accompanied by the pre-release track of Gluck’s Dance of the Blessed Spirits from his opera Orfeo ed Euridice.
[attach]12045[/attach]
专辑曲目:
01 – 1. Kaddisch (Transcr. For Cello And Orchestra By Richard Tognetti)
02 – Dance Of The Blessed Spirits (Arr. For Cello And Strings By Mathieu Herzog)
03 – -When I Am Laid In Earth- Dido’s Lamento (Arr. For Cello And Strings By Mathieu Herzog)
04 – 1. Never Give Up
05 – 2. Terror – Elegy
06 – 3. Song Of Hope
07 – 1. Adagio ma non troppo
08 – 2. Un poco più animato
09 – 5. Träume (Arr. For Cello And Orchestra By Mathieu Herzog)
10 – 4. Songs My Mother Taught Me (Adapt. For Cello And Orchestra)
11 – Williams- Theme From -Schindler’s List- (Adapt. For Cello And Orchestra)
12 – -Pourquoi me réveiller- (Adapt. For Cello And Orchestra)
13 – -Una furtiva lagrima- (Adapt. For Cello And Orchestra)
14 – -Casta Diva- (Arr. For Cello And Orchestra By Mathieu Herzog)
15 – -Dalla sua pace- (Adapt. For Cello And Orchestra)
16 – -Va, pensiero- (Arr. For Cello And Orchestra By Mathieu Herzog)