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ÂíÀÕºÍÉá¶÷±´¼Ó¶ûµÄÕâЩ×÷Æ·ÊDZíÏÖÖ÷ÒåºÍÀËÂþÖ÷ÒåµÄ¼ÍÄî±®£¬µ«ËüÃÇÒѾ­´¦ÓÚתÕ۵㡣ºÍгµÄÕÅÁ¦±»´øµ½Á˼«¶Ë£¬²»ºÍгÊǴ󵨵쬾¡¹Ü×ÜÊÇͨ¹ý±í´ïÀ´Ö¤Ã÷¡£¸ÖÇټұȰ¢ÌØÀö˹¡¤±´Â³ÌØ£¨Beatrice Berrut£©¶ÔÕâËÄÊ××î³õΪ½»ÏìÀÖÍźÍÏÒÀÖÁùÖØ×๹˼µÄ×÷Æ·½øÐÐÁË·¨ÀÏʽµÄ¸ÖÇÙתдºÍתÊö¹¤×÷¡£
These works from Mahler and Schoenbergare are expressionist and romantic monuments, but they are already at a turning point. The harmonic tension is taken to extremes, and dissonances are daring, although always justified by the expression. Pianist Beatrice Berrut has carried out the pharaonic work of transcription and paraphrase for piano of these four works originally conceived for symphony orchestra and string sextet.



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01. Symphony No. 5 in C-Sharp Minor: IV. Adagietto (Arr. for Piano by Beatrice Berrut)
02. Symphony No. 3 in D Minor (Arr. for Piano by Beatrice Berrut): I. Tempo di Menuetto. Sehr mässig
03. Symphony No. 3 in D Minor (Arr. for Piano by Beatrice Berrut): II. Sempre l¡¯istesso tempo. Nicht schleppen
04. Symphony No. 6 in A Minor (Arr. for Piano by Beatrice Berrut): I. Andante moderato
05. Symphony No. 6 in A Minor (Arr. for Piano by Beatrice Berrut): II. Misterioso
06. Symphony No. 6 in A Minor (Arr. for Piano by Beatrice Berrut): III. Etwas zur¨¹ckhaltend
07. Transfigured Night (Arr. for Piano by Beatrice Berrut): I. Sehr langsam
08. Transfigured Night (Arr. for Piano by Beatrice Berrut): II. Breiter und vibrierend
09. Transfigured Night (Arr. for Piano by Beatrice Berrut): III. Schwer betont
10. Transfigured Night (Arr. for Piano by Beatrice Berrut): IV. Sehr breit und langsam
11. Transfigured Night (Arr. for Piano by Beatrice Berrut): V. Sehr ruhig

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